hsing shoo)Īlso known as the semi-cursive script since it is halfway between regular and cursive. It is the easiest to read and is very suitable for learning calligraphy. keye shoo)Įmerging at the end of the Han dynasty, in the 3rd century A.D., regular script was the result of another effort to simplify writing, decreed by the last emperor of this dynasty. it is a legible script today despite being established during the Han dynasty. The script was adopted as a way of simplifying brushstrokes. lee shoo)Īlso referred to as the chancery script. The script uses ancient characters that are difficult to read especially for modern Chinese. During some time in the Qing Dynasty, seal script faced a renaissance as an act of rebellion against the invaders because of the desire to understand and rediscover the roots of the Chinese culture. It is the oldest script but it is still used because it has remained to be popular. Small or large, Chinese seal script is a script that was designed to be engraved. Seal script - zhuan shuĬhinese seals of various sizes and shapes There are five main categories of traditional Chinese calligraphy: 1. Zhao Mengfu (赵孟頫, 1254–1322): He was a prince and descendant of the Song Dynasty, and a Chinese scholar, painter, and calligrapher during the Yuan Dynasty. Ouyang Xun (歐陽詢, 557–641): He was a Confucian scholar and calligrapher of the early Tang Dynasty.Ĭai Xiang (蔡襄, 1012–1067): He was one of the four best calligraphers during the Song Dynasty (960–1279). Although none of his work remains today and all of his masterpieces which you see were copied or traced by others Wang XiZhi (王羲之, 303-361): He was traditionally referred to as the Sage of Calligraphy during the Jin Dynasty. His famous works include the Xuānshì Biǎo (宣示表), Jiànjìzhí Biǎo (薦季直表), and Lìmìng Biǎo (力命表), which survive through hand copies, including those by Wang Xizhi. Zhong Yao (鍾繇,151-230): He is known as the "father of standard script". Therefore, the Stele school became a link between the present and the past in the approach to the traditions which the clerical and the seal script began being the Chinese calligraphy innovation sources. The Qing scholars were interested in studying these antiquities and becoming familiar with the steles that facilitated the creation of a calligraphy trend, which acted as a complement to the 'Model Book' school. The most popular calligraphers are such as Wen Zhengming (文徵明, 1470–1559), Zhang Ruitu (張瑞圖, 1570–1641) , Zhu Yunming (祝允明, 1460–1527), and Huang Daozhou (黃道周, 1585–1646).ĭuring the Qing Dynasty (1644–1911), scholars started turning to inspiration from the ancient works' rich resources inscribed in clerical and seal script. During this period calligraphers started to form individual paths with their own styles. In the Ming Dynasty (1368–1644), the notions of artistic liberation and freedom from calligraphy rules gained momentum. The revivalist calligraphers of the Yuan Dynasty (1279–1368) such as Zhao Mengfu (1254–1322) further developed the popular classical traditions of the Tang (618–907) and Jin (1115–1234) dynasties. Furthermore, Chinese calligraphy is responsible for the development of numerous forms of art such as ornate paperweights, ink stones, and seal carving. The unique forms of calligraphy developed and originated from China, particularly for writing Chinese characters by using ink and a brush. It is reputed to be the most ancient artistic type in oriental world history.Ĭalligraphy initially began due to the need to record ideas and information. It is a unique artistic form of Chinese cultural treasure and represents Chinese art.
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Chinese calligraphy has an extensive history of about 1,000 years.